Sunday, December 25, 2011

The Da Vinci Code: Dan Brown

http://www.danbrown.com/

A stunning; global phenomenon: The Da Vinci Code, where Dan Brown demonstrates why he is the world's most popular thriller writer.

While in Paris on business, Harvard symbologist Robert Langdon receives an urgent late-night phone call: the elderly curator of the Louvre has been murdered inside the museum. Near the body, police have found a baffling cipher. Solving the enigmatic riddle, Langdon is stunned to discover it leads to a trail of clues hidden in the works of da Vinci…clues visible for all to see…and yet ingeniously disguised by the painter.


Langdon joins forces with a gifted French cryptologist, Sophie Neveu, and learns the late curator was involved in the Priory of Sion—an actual secret society whose members included Sir Isaac Newton, Botticelli, Victor Hugo, and da Vinci, among others. The Louvre curator has sacrificed his life to protect the Priory's most sacred trust: the location of a vastly important religious relic, hidden for centuries.


In a breathless race through Paris, London, and beyond, Langdon and Neveu match wits with a faceless powerbroker who appears to work for Opus Dei—a clandestine, Vatican-sanctioned Catholic sect believed to have long plotted to seize the Priory's secret. Unless Langdon and Neveu can decipher the labyrinthine puzzle in time, the Priory's secret—and a stunning historical truth—will be lost forever.


In an exhilarating blend of relentless adventure, scholarly intrigue, and cutting wit, symbologist Robert Langdon (first introduced in Dan Brown's bestselling Angels & Demons ) is the most original character to appear in years. The Da Vinci Code heralds the arrival of a new breed of lightening-paced, intelligent thriller…surprising at every twist, absorbing at every turn, and in the end, utterly unpredictable…right up to its astonishing conclusion.

The novel begins with the code:

13-3-2-21-1-1-8-5
O, Draconian devil!
Oh, lame saint!
P.S. Find Robert Langdon.


It speaks about 'The Holy Grail', which some believes is a series of documents establishing that Jesus Christ married Mary Magdalene and bore children, in order to ruin the Vatican.

According to the novel, the secrets of the Holy Grail, as kept by the Priory of Sion are as follows:

-The Holy Grail is not a physical chalice, but a woman, namely Mary Magdalene, who carried the bloodline of Christ.
-The Old French expression for the Holy Grail, San gréal, actually is a play on Sang réal, which literally means "royal blood" in Old French.
-The Grail relics consist of the documents that testify to the bloodline, as well as the actual bones of Mary Magdalene.
-The Grail relics of Mary Magdalene were hidden by the Priory of Sion in a secret crypt, perhaps beneath Rosslyn Chapel.
-The Church has suppressed the truth about Mary Magdalene and the Jesus bloodline for 2000 years. This is principally because they fear the power of the sacred feminine in and of itself and because this would challenge the primacy of Saint Peter as an apostle.
-Mary Magdalene was of royal descent (through the Jewish House of Benjamin) and was the wife of Jesus, of the House of David. That she was a prostitute was slander invented by the Church to obscure their true relationship. At the time of the Crucifixion, she was pregnant. After the Crucifixion, she fled to Gaul, where she was sheltered by the Jews of Marseille. She gave birth to a daughter, named Sarah.
-The bloodline of Jesus and Mary Magdalene became the Merovingian dynasty of France.
-The existence of the bloodline was the secret that was contained in the documents discovered by the Crusaders after they conquered Jerusalem in 1099 (see Kingdom of Jerusalem).
-The Priory of Sion and the Knights Templar were organized to keep the secret.



The secrets of the Grail are connected, according to the novel, to Leonardo Da Vinci's work as follows:

- Leonardo was a member of the Priory of Sion and knew the secret of the Grail. The secret is in fact revealed in The Last Supper, in which no actual chalice is present at the table. The figure seated next to Christ is not a man, but a woman, his wife Mary Magdalene. Most reproductions of the work are from a later alteration that obscured her obvious female characteristics.

- The androgyny of the Mona Lisa reflects the sacred union of male and female implied in the holy union of Jesus and Mary Magdalene. Such parity between the cosmic forces of masculine and feminine has long been a deep threat to the established power of the Church. The name Mona Lisa is actually an anagram for "Amon L'Isa", referring to the father and mother gods of Ancient Egyptian religion (namely Amun and Isis).


Religious allegory has become part of the fabric of reality. And living in that reality has helped millions of people cope and be better people. Like a mathematical cryptographer who belives in the imaginary number 'i' because it helps her break codes.

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