https://www.youtube.com/watch?v=lsdF9BU6RFs
Nigam- Core of Pain
Ghoshal- Recovery of Pain
Singh- Not showing inside pain
Sreekumar- Enjoying with everyone and not letting anyone know.
Adee S. KULKARNI Ji, great job.
These are main 4 sources of expressing pain that most of the students have.... Still dealing forever....
Masterpiece. Perfectly synchronised and bliss to mind. Tribute to Indian classical music compositions.
Adee S. KULKARNI's answer to the people who say lyrics dont make any sense:
Shreya - Do Dilon Ki Ye Prem Kahani
Le Aayi Dekho Kahan
Sonu - Duniyadaari se hoshiyaari se
Main toh anjaan thaa
Lagi chot aisi mere bhole dil pe
Bikhar saa gaya toot ke
Shreya - Juda Ab Naa Hoge Karo Ham Se Wada
Mera Sathh Na Chhodna
Tumhe Aaj Payenge
Ya Maar Hi Jayenge
Ye Khwab Na Todna
Mere dholna Sun...
This story of love captures both innocence and deep commitment. Shreya’s lines, "Do Dilon Ki Ye Prem Kahani," hint at a love that has brought them to a powerful and unexpected moment. Sonu’s reflection, "Duniyadaari se hoshiyaari se, main toh anjaan tha," suggests he was untouched by worldly complexities, innocent in his ways, until love struck him so intensely, it left him "bikhar saa gaya toot ke," shattered and transformed.
In response, Shreya’s promise, "Juda ab naa hoge, karo ham se wada," reflects her unshakable loyalty. She asks him to vow that they’ll never part, saying, "Mera saath na chhodna," pledging a love that’s willing to either fulfill the dream—"ye khwab na todna"—or die trying.
The refrain, "Mere dholna sun," is a passionate call, asking him to hear the depth of her love, making this a timeless vow of devotion.
Sonu - Aadha adhura tha badan ye mera
Ek gark thaaa
Jo ghar thaa meri jannat
Ek nark thaaa
Shreya - Tu Jo Nhi To Mera Yeh Man Hai
Banjar Zameen
Sookhi Ret Jaisi Hoon Main
Tu Hai Nami
Sonu - Ye takht-o-taaj sb tereMain toh jala ke chhodungaZinda bachega naa koiSabko mitaa ke chhodunga
Ye jism khatm hota haiYe rooh toh nahi martiChahein koi sitamgar hoYe rooh toh nahi darti
These lyrics dive into love that brings both deep yearning and fierce intensity. Sonu’s part expresses the feeling of being incomplete—"Aadha adhura tha badan ye mera" (my body was half-empty) and trapped in a life that felt like "nark" (hell) despite being once considered his "jannat" (paradise). His pain transforms into an almost destructive resolve: "Main toh jala ke chhodunga...sabko mitaa ke chhodunga," willing to burn away everything in his path, showing the fierce strength love can unleash.
Shreya’s part reflects how hollow her life feels without him, as though her heart has become a "banjar zameen" (barren land). She compares herself to "sookhi ret" (dry sand) without him, while he is the "nami" (moisture) that brings life. Her love for him is essential, like water in the desert.
Finally, Sonu’s closing lines, "Ye jism khatm hota hai, ye rooh toh nahi marti," bring a powerful sense of resilience, suggesting that while the body is mortal, the soul and its courage are eternal and undying. Even if faced with suffering ("sitamgar ho"), the soul remains fearless, making their love feel immortal and unbreakable.
Amazing, touching, divine.
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