Friday, February 09, 2024

Bronte Sister's

 



Writers lives tend to be as fascinating to us as their fictions, even when there is relatively little biographical information available. In fact, the less we know the more fascinated we become. 

The Brontes' were the world's most famous literary family and Haworth Parsonage, now the Bronte Parsonage Museum, was their home from 1820 to 1861. Born at Thornton, near Bradford they moved to the township of Haworth when Charlotte the eldest was 5 years.  It can rent-free with Patrick's new position as the perpetual curate of the church. He was a published author of poetry and fiction and his children grew up accustomed to the sight of books carrying their name on the Parsonage shelves. To find two writers of genius in one family would be rare, but to find several writers in one household is unique in the history of literature. 

Charlotte was born on 21 April 1816, Emily on 30 July 1818 and Anne on 17 January 1820 all in Thornton, Yorkshire. They had two sisters, both of whom died in childhood and a brother, Branwell. On 15 September 1821, Mrs Bronte died of cancer, and her unmarried sister, Elizabeth Branwell came to take charge of the running of the Parsonage, exchanging her comfortable home in Penzance for the harsh climate of a bleak northern township. In 1824 the four eldest daughters made their first venture into the world outside Haworth, to attend the Clergy Daughters' school at cowan Bridge, near Kirkby Lonsdale.   Tuberculosis, which afflicted Maria and Elizabeth in 1825, also caused the eventual deaths. For the next few years the surviving children remained at home together, creating a rich imaginary world, sparked by their father's gift to Branwell of a set of toy soldiers. Because of the important role education had played in his own life, Patrick encouraged his children in their pursuit f knowledge. Any books that came thier way were eagerly devoured, and the children produced their own tiny illustrated books, designed to be small enough for the toy soldiers, with minuscule handwriting to deter the prying eyes of the Parsonage adults.   Of three of the surviving Brontës: Branwell in September 1848, Emily in December 1848, and, finally, Anne in May 1849 died. Their father's lack of a private income meant that the sisters needed to acquire the accomplishments that would enable them to earn a living as governesses - the only career option socially acceptable for general young ladies with a fortune.  In an attempt to escape the hated life of a governess, the sisters planned to set up a school of their own at the Parsonage. Of the three sister Anne was as great an author and yet seems forgotten. When we hear Brontë sisters, we think of Charlotte Brontë and Emily Brontë, however their sister Anne is said to be the most beautiful of all three. 



Charlotte turned to her writing to sustain her through the dark days ahead. She fled Haworth to stay with George Smith and his mother in London. Her fame had provided her with a means of entering London's literary society, but by this time, Charlotte found that her sense of loss and the seclusion of her life at Haworth had left her unfitted to enjoy such society. She then kept travelling, and undertook the melancholy task of sorting through her dead sister's papers to provide a selection of their poetry and also wrote an emotional biographical notice of the two authors. She rejected marriage proposal from her fathers curate, the reverend Arthur Bell Nicholls and Patrick was incensed by the mere thought of the poor Irish Curate pursuing his famous daughter. What Charlotte saw as her father's unjust treatment worked in Nicholls favour and the couple eventually married in Haworth Church on 29 June 1854. Though Charlotte had entered the married state with misgivings, she found unexpected happiness with Arthur. The happiness did not last. She died on the morning of 31 March 1855, in the early stages of pregnancy, just three weeks before her 39th birthday There were no direct descendants of the Brontes of Haworth. Patrick Bronte lived on at the Parsonage for a further six years, cared for by his son-in-law and died there on 7 June 1861 at the age of eighty-four. 

The Bronte's novels, published under the pseudonyms of Currer, Ellis and Action Bell were acknowledged at the time for their directness and powerful emotional energy, qualities which were sometimes interpreted by the critics as 'coarse' and 'brutal'. Charlotte's novel Jane Eyre (1847), Emily's Wuthering Heights (1847) and Anne's The Tenant of Wildfell Hall (1848) among others were written in this house. 

More of these books in separate post but here are the book covers:





Certainly, the Bronte's have exerted an extraordinarily powerful hold over our collective imagination for more than 150 years now. Generations of readers, writers and artists have been absorbed and inspired by them and they have permeated the cultural landscape, at every level. 

The Bronte's cultural pervasiveness is largely explained by the power of the stories they created, but the story of the Brontes' own lives has been and continues to be equally compelling. It is easy to understand why with so many irresistible components: the wild moorland landscape surrounding Haworth; the spectre of early family bereavement; the intense imaginative worlds of childhood; the remarkable literary achievement of three sisters all writing great English novels under one roof; the precociously talented but fatally flawed brother; and of course the 'tragic' early deaths.

It was Charlotte Bronte's friend the novelist Mrs Gaskell, who wrote the first Bronte biography in 1857, within two years of Charlotte's death. With such great interest in the Brontes, Haworth has become a destination for literary pilgrimage and the physical remains of the Brontes' lives is revered and sought after as relics. The Brontes father Patrick, having outlived his wife and all six of his children, lived long enough to witness this, being generous enough to receive curious visitors when the mood took him and cutting some of Charlotte's letters into snippets to satisfy request for samples of her handwriting. 

Like most authors, the Brontes drew upon their imaginations, on their personal experiences and the landscape and characters around them, but their mature poems and novels are also rooted in the themes of the early writings of their childhood and adolescence. The Parsonage was amongst the largest houses in Haworth, though it would have been considered small in comparison to the houses elsewhere. They were poor in comparison to landowners or wealthy aristocrats of those times. Despite its lofty hill-top settings and the openness of the surrounding moorland, Haworth township was an overcrowded and unhealthy place in which to live in the Brontes day. It was because of the cramped conditions in which the inhabitants lived and worked, the lack of privies and the fact that the only sewerage system consisted of open channels running down the Main street. 



 

Thanks to The Bronte Society was established in early 1893. In 1857, two years after Charlotte's death, Elizabeth Gaskell's moving tribute to her friend, The Life of Charlotte Bronte also appeared. This biography, along with Charlotte's Biographical Notice of her sisters, have become key sources for interpretations of the family, and have ensured that the story of the Bronte's lives continues to exert as much fascination as their fiction. 







Visiting the home in which these three remarkable women spent most of their lives provides fascinating insight into the freedoms and restrictions of the time in which they lived and thus a deeper understanding of their novels. 

Monday, February 05, 2024

14 Years of Learning, Unlearning and Relearning

 


14 years of

learning & unlearning,

challenges & growth,

good days & not so good days

managers & team

but, never ending support and trust in my capabilities!

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 Here’s a sneak peek of my journey


Started as an Associate – Finance in 2010

(Individual contributor)

 

2011- Analyst Finance

(Managed team of 3)


 

 

 


2013: Manager Finance

(Managed team of 5)

 


2014: Service Deliver Lead

(Managed team of 12)

 

 

2015: Senior Service Deliver Lead

(Managed team of 18)

 

 


2017: Head- Service Delivery

(Managed team of 30)

 

 


2021 – Head of Service Delivery

(Managing a team of 90+ across regions)


2023 – Group Reporting Head

(Responsible for reporting of Actuals for the corporate as a whole and support the demerger  )

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3 Exposure of systems, projects and responsibilities were as diversified as one can imagine

(highlight the keywords like a word cloud)

Integration, Mergers, De-mergers, Acquisitions, Transitions across geographies, hive offs, process improvements, HOTOs

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 I have never felt stagnant!

If this is my journey, then it can be yours too! If you have the yearning to learn and perform then Tag will layout opportunities for you at every possible step. Come discover growth and endless possibilities with us!

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Deaths, weddings, transfers, Corona, WFH

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 Ahead of my 14-year work anniversary at Tag India, I was asked to give some of my top Tag tips. A little hesitant in the beginning, but the moment I started putting down my thoughts, I couldn’t stop!  

14 years at an organization is a long time to go without having a few tricks up my sleeve. So here are some of my top Tag tips. 

Starting with the most important tip, given to me by the first COO I met, Srivats Sir. He said, “The key to work here is to put your heads down, ears open, and give your best”, and that has come in very handy. 

The next Tag tip that I carry with me is from one of my bosses, Tobias Maier’s farewell speech and note. “Make your own career development a personal priority, no one else will do it for you.” This has kept me striving to be better, keeping myself as a benchmark!   

The final tip is straight out from my vision board which I created at a session hosted at Tag by Sharyn Coleman. I have always kept this vision board in front of me as a reminder.  

  • Dream Big 

  • Get things done 

  • Have fun 

 

I hope these tips help you as much as they did me through these 14 years!  


Sukhee - Movie


"Sukhee" -  Shilpa Shetty in a movie after a long time. A humorous slice-of-life tale about 38-year-old Punjabi housewife Sukhpreet "Sukhee" Kalra,  who marries her boyfriend without her parents' consent. So her parents,. Especially father don't wanna talk to her. And they move to another city. After many years she gets an invitation to a reunion party of her classmates in the Delhi, 1997 batch.


As the poster revels, this is the midlife musings of a middle class house wife who was ambitious and wanted to be bedhadak, besharam and beparwah. 

Her husband doesn't allow her to go, his grandfather get her a ticket,  but he breaths his last before the D'day. She goes to attend that party inspite of husband's rejection, meets her classmates and has a lot of fun. Meanwhile her father who was angry with her for many years, becomes soft and unites with his daughter.

Also a classmate proposes to her, but she comes back to her daughter and husband.

Sukhee relives her teenage years while experiencing a variety of things over the course of just seven days, emerging reignited, reborn, and making the hardest shift of her life—from being a wife and mother to being a woman once more.

Value of a close relationship is ignored most of the time when the person is with you. Try to value small things related to your dear ones. Everyone has to find their own way of living life instead of waiting for the other one to realize your value. Never break any relationship in confusion. Maintain distance if it hurts you. Always try to maintain relationship with your dear ones even over phone or social media.

A women is an all rounder compared to men. She needs the support of her partner to flourish and Excell. This point is well explained in the movie.

From the relatable saga of dealing with nosy neighbors to the profound moments of childbirth and the dynamics with a spouse, the movie encapsulates the essence of married life. It eloquently portrays the complexities of maintaining relationships, rekindling friendships, coping with parental loss, and even the exhilarating yet tumultuous journey of falling in love once more.

It doesn't lay blame on a single factor for the challenges faced in the marriage. Instead, it beautifully illustrates the transformative power of understanding the worth of a partner, realigning priorities, and embracing a fresh start surrounded by the warmth of close family members.

 The film also features a talented supporting cast, including Amit Sadh, Kusha Kapila, Dilnaz Irani, and Pavleen Gujral, who add to the charm and fun of the story. The film is directed by Sonal Joshi in her directorial debut. Costumes are amazing. 


Genesis & Relevance of Temple - Worship : Swami Bhoomananda Tirtha(10 of 24)

 


Earth, water, air, fire and space that constitute the world are a creation of God, the Almighty.  But somehow, due to lack of proper thought in the matter, people are not able to perceive the world as Godly, as  a Godly product, with the result that they look for something additional or special to relate to God, while thinking of worshipping Him. 

The Idol, the sculptor makes and the priests consecrates, becomes the general focus in religious worship. It is in a way strange, nonetheless, an irrefutable need of the human mind. Our thinkers, Sage Authors, have always understood this fact and catered to the needs of the society. 

The manner in which devotees go to the temple, stand in front of the Lord, submit their prayers and express their feelings, fondness as well as needs, is something greatly touching. 

To construct a place of worship like the temple, the scriptures point out, is the most holy act, rewarding and fulfilling in every way. It is pleasing to the Lord, Sreemad Bhagavatam emphasizes. 

A temple is actually a place of public worship. When a place is set up wherein worshippers can come, stand before the Deity and worship, it becomes a temple. 

There are 'self-born' (svayambhuh) temples, as also those instituted and consecrated with the relevant ceremonial and scriptural procedures and prescriptions. 

It is to live peacefully, harmoniously and fearlessly that we build our homes. But often what happens is the reverse! Tension, apprehension and affliction assail the residents. Even when everything is all right, people still become anxious about the welfare of the family. 

Temple naturally becomes both a refuge and an inspiration. Standing in front of the Lord, devotees pray, unloading their heart, expressing their wishes and seeking the Lord's favour to give them relief, hope and confidence. Despite the fact that they do not get any direct answer from the Lord, their heart feels a sense of security and relief, something not available anywhere else. Thus temples have become an inevitable psychological need. 

In a temple, the prayer and worship offered are not really to the stone or Marble Idol as such. Worshippers look at the Idol, no doubt, but their thoughts are clearly focused on the Supreme Omnipresent Lord, represented by the Lord. The prayers made are always to the Lord Supreme. Temple but facilitates the whole interaction. That is the sole purpose of the temple institution. 

'Ya Matih so gatih'. Human thought, aspiration and will are quite powerful. Whatever one thinks, that he verily can become. Such is the supreme law. 

The divine brilliance and the benedictory power of any deity in a temple, is directly proportional to the sanctity and sublimity of consecration performed by the human being. In fact, the chief priest, who does the consecration is called the father of the deity. The deity owes its Divinity completely to him. You can say that the Deity is born of him. 

It is exactly like a child wishing to have the fondling parental touch!

When the Upanishads declare that Knowledge alone is supreme and it is the Ultimate Existence, this means Knowledge must be the very source of all creation. When do we reach at the fullness of knowledge. It's not the object knowledge. 

A thing becomes an object to be sensed or perceived only before a subject. When you see the world, including yr body, it falls in the 'object' category. And you, the seer, are the subject in the whole process, who does the seeing. Seeing as an act or function can only proceed from and rest upon the seer. Body is the object, so where and what is the subject? This is how we recede to our own within, into the arena of knowledge, knowing and ultimately the knower. When our consciousness, receding from both external and internal objects, begins to reveal the subject as it does the object, it is called prajnanam. Knowledge led thus to its fullness, becomes the Supreme Reality. It is existence, consciousness and blissfulness all at once. Sat-Cid-ananda. 

By withdrawing your gross activities and interactions, you have to remain afloat in your own mind, and thereby dissolve all mental modification like thought, thinking and thinker, to get into the real substance, which brings about all this differentiation. That unitary inner state of awareness, where all differences set and a full singularity dawns, is the wonderful fruition called prajnanam.

Temple and Deity installed in it is like a prop for those who cannot understand this. The idol idolizes the supreme. 

1) Temple worship is an Initial step. 

From acara (ritual) to vicara (contemplation)

Temple is men's creation for his own purpose. 

All the words we use to describe His qualities and powers in fact, represent our own thoughts, ideas and needs. Each of these has originated from our own mind. If deeply searched, all their connection, relevance and utility also are with us and us alone. 

2) True devotee has lord tied to the heart and want nothing. 

God rejects offers from narrow minded. 

Temples and Ashrams are complementary centres. 

Hari Oam Tat Sat!